Araştırma Makalesi
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Osmanlı İmparatorluğu'nda 'Ses-Yazma' Teknolojileri ve Erken Dönem Alan Kayıtları

Yıl 2024, Cilt: 2 Sayı: 1, 1 - 21, 30.04.2024

Nazan Maksudyan

Öz

Osmanlı İmparatorluğu'ndaki erken dönem ses kayıt teknolojilerinin tarihi, ağırlıklı olarak müzik üretimi, karşılaştırmalı müzikoloji ve etnomüzikoloji perspektiflerinden incelenmiştir. Aslında, İstanbul, Beyrut ve başka yerlerde yüzlerce ticari ve müzikal silindir üretilirken, Avrupalı antropologlar, etnologlar, dilbilimciler, oryantalistler vb. Balkanlar, Anadolu ve Kafkasya'da bilimsel amaçlarla ses verileri toplamak için seyahat ediyorlardı. Osmanlı bilim ve teknoloji tarihine ses çalışmaları ve işitsel tarih perspektiflerinden katkıda bulunmak amacıyla, Osmanlı İmparatorluğu'ndaki ilk saha kayıtlarına, yani Paul Kretschmer'in (1866-1956) 1901'de Midilli'ye yaptığı çalışma gezisine ve Felix von Luschan'ın (1854-1924) 1902'de Zincirli'de (Sendschirli, Aintab) yaptığı araştırmaya odaklanıyorum. Dolayısıyla bu makale, müzik dışı kayıtlar ve ses çoğaltma teknolojilerinin (sömürgeci) bilimler tarihi, özellikle de antropoloji, etnoloji ve dilbilim üzerindeki etkisine ilişkin Osmanlı Çalışmaları içindeki bir araştırma boşluğunu doldurmayı amaçlamaktadır.

Anahtar Kelimeler

fonograf ses kayıt teknolojileri alan araştırması ses çalışmaları i̇şi̇tsel tari̇h

Destekleyen Kurum

UK Research and Innovation (UKRI) (EP/X032833/1)

Proje Numarası

EP/X032833/1

Teşekkür

Bu araştırma, Cambridge Üniversitesi ve Centre Marc Bloch işbirliğiyle yürütülen "OTTOMAN AURALITIES and the Eastern Mediterranean: Sound, Media and Power, 1789-1922" (PI Dr. Peter McMurray) başlıklı ERC projesinin (UKRI'nin üzerinde yazılmıştır) bir parçası olarak gerçekleştirilmiştir.

Kaynakça

  • Abbani, Diana (2018). “Beirut’s Musical Scene: A Narrative of Modernization and Identity Struggles under the French Mandate”, E. Boyar and K. Fleet (eds.), Middle Eastern and North African Societies in the Interwar Period, 54-77. Brill.
  • Abbani, Diana (2022). "Chants enregistrés traversant les frontières: circulation, croisement et imaginaires au Levant durant les années 1920-1940", Malice, 14.
  • Abraham, Otto and Erich M. Honbostel, v. 1904. “Phonographierte türkische melodien”, Zeitschrift für Ethnologie, 36 (2): 203-221.
  • Adorno, Theodore (1934). "Die Form der Schallplatte," 23: Eine Wiener Musikschrift 17-19 (December 15), pp. 35-39. [signed “Hektor Rottweiler”].
  • Azoulay, Léon (1901). "Le Musée phonographiquc de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'Anthropologie de Paris 2.1: 327-330.
  • Azoulay, Léon (1902). "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'anthropologie de Paris, 3 (1): 652-666.
  • Benjamin, Walter (1969). “The Work of Art in the Age of Mechanical Reproduction” [translated by Harry Zohn, from the 1935 essay], Hannah Arendt (ed.), Illuminations, New York: Schocken Books.
  • Busse Berger, Anna Maria (2020). The Search for Medieval Music in African and Germany, 1891-1961: Scholars, Singers, Missionaries. University of Chicago.
  • Cairns, Elliott S. (2020). The Berliner Phonogramm-Archiv and the Emergence of Comparative Musicology. PhD Dissertation, Columbia University.
  • Clayton, Martin (1996). “Ethnographic Wax Cylinders at the British Library National Sound Archive: A Brief History and Description of the Collection”, British Journal of Ethnomusicology, 5: 67-92.
  • Cobanoglu, Dominik (2021). “Paul Kretschmer, der Historiker der griechischen Sprache – eine biographische Annäherung”, MA-Thesis, University of Vienna.
  • Das, Santanu (2011). “The Singing Subaltern”, Parallax, 17 (3): 4-18.
  • Edison, Thomas A. (1878). “The Phonograph and Its Future,” The North American Review, 126/262: 527–536.
  • El Shakry, Omnia (2007). The Great Social Laboratory: Subjects of Knowledge in Colonial and Postcolonial Egypt. Stanford University Press.
  • Feaster, Patrick (2001). “The Origins of Ethnographic Sound Recording, 1878-1892”, ReSOUND, 20 (1-2): 1-8.
  • Evans, Andrew D. (2010). Anthropology at War. World War I and Science of Race in Germany. Chicago: University of Chicago.
  • Fewkes, J. Walter (1890). "On the Use of the Phonograph in the Study of the Languages of American Indians", Science, 378: 267-269.
  • Frangos, Steve (1995). "The Last Cafe-Aman Performer", The Journal of Modern Hellenism, 12-13: 239-256.
  • Fuhrmann, Malte (2012). “Deutschlands Abenteuer im Orient. Eine Geschichte semi-kolonialer Verstrickungen.” Türkisch-Deutsche Beziehungen: Perspektivenaus Vergangenheit und Gegenwart. Berlin: KlausSchwarz, 10-33.
  • Graf, Walter (1962). “The Phonogrammarchiv der Österreichischen Akademie der Wissenschaften in Vienna”, The Folklore and Folk Music Archivist, 4(4): 1-4.
  • Graf, Walter (1964). “Aus der Geschichte des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften”, Bulletin phonographique, 6: 9–39.
  • Goh, Annie (2017). “Sounding Situated Knowledges: Echo in Archaeoacoustics”, Parallax, 23(3): 283–304.
  • Koch, Lars-Christian, Albrecht Wiedmann, and Susanne Ziegler (2004). “The Berlin Phonogramm-Archiv: A Treasury of Sound Recordings”, Acoustical Science and Technology, 25(4): 227-231.
  • Kretschmer, Paul (1902). “Vorläufiger Bericht über eine linguistische Studienreise nach der Insel Lesbos”, Anzeiger der kaiserlichen Akademie der Wissenschaften in Wien. Philosophisch-Historische Klasse, 5: 71–85.
  • Kretschmer, Paul (1902). “Reisebericht des Herrn Professors Dr. Paul Kretschmer in Wien über eine linguistische Studienreise nach der Insel Lesbos”, Anzeiger der Kaiserlichen Akademie der Wissenschaften. Philosophisch-Historische Classe XXXIX, No I - XXVII (1902): 18–31.
  • Kretschmer, Paul (1905). Der heutige lesbische Dialekt verglichen mit den übrigen nordgriechischen Mundarten. Wien.
  • Lange, Britta (2013). Die Wiener Forschungen an Kriegsgefangenen, 1915-1918: Anthropologische und ethnographische Verfahren im Lager. Wien.
  • Lange, Britta (2019). Gefangene Stimmen. Tonaufnahmen von Kriegsgefangenen aus dem Lautarchiv 1915 – 1918. Berlin: Kadmos.
  • Lechleitner, Gerda (ed.) (1999). “Series 1: The First Expeditions 1901 to Croatia, Brazil, and the Isle of Lesbos”. OEAW PHA CD 7 Österreichischen Akademie der Wissenschaften.
  • Lechleitner, Gerda (2005). “‘Capturing’ Sound: The Phonograph in (Early) Folk Music Research”, Traditiones, 34 (1): 101-110.
  • Loeffler, James (2020). "The 'Lust Machine': Recording and Selling the Jewish Nation in the Late Russian Empire", Polin Studies in Polish Jewry, 32 (1): 257-277.
  • Löhr, Isabella (2013). "Lives Beyond Borders, or How to Trace Global Biographies, 1880–1950", Comparativ, 23 (6): 7-21.
  • Luschan, Felix v. (1902). “Über einige Ergebnisse der fünften Expedition nach Sendschirli”, Zeitschrift für Ethnologie, 34: 379–80.
  • Luschan, Felix v. (1904a). “Anleitung für ethnographische Beobachtungen und Sammlungen in Afrika und Ozeanien”, Zeitschrift für Ethnologie, 36: 1-128.
  • Luschan, Felix v. (1904b). “Einige türkische Volkslieder aus Nordsyrien und die Bedeutung phonographischer Aufnahmen für Völkerkunde”, Zeitschrift für Ethnologie, 36 (2): 177-202.
  • Luschan, Felix v., B. Ankermann, Königliche Museen zu Berlin (1914). Anleitung zum ethnologischen Beobachten und Sammeln. Berlin: Verlag von Georg Reimer.
  • Maksudyan, Nazan (2024). “Erna Eckstein-Schlossmann’s Exile Years in Turkey, 1935–1950: A Biographical and Gendered Approach to Migration History”, Women's History Review, 33 (2): 223-243.
  • Morat, Daniel (2019). “The Sound of a New Era: On the Transformation of Auditory and Urban Experience in the Long Fin de Siècle, 1880–1930”, International Journal for History, Culture and Modernity, 7: 591-609.
  • Nikolaros, Stratos (2022). “Paul Kretschmers Expedition 1901 nach Lesbos und das dortige Netzwerk der Lehrenden am Beispiel des Gymnasiallehrers Michail Κ. Stefanidis”, Neograeca Bohemica, 22 (1): [9]-48.
  • Olley, Jacob (2024). “Reorienting the History of Ethnomusicology: Global Networks, Institutions and Scientific Knowledge, 1850–1950”, paper to be presented, Royal Musical Association (London, 11-13 September 2024).
  • Ünlü, Cemal (2000). 1900’den 2000’e 100 Yıllık Ses Kayıt Tarihimizde Müzikle Yolculuk: En Seçkin Eserler Yorumcular ve Bestelerle Türk Musikisi. İstanbul: Ekinciler Holding.
  • Pasler, Jann (2014). “Sonic Anthropology in 1900: The Challenge of Transcribing Non-Western Music and Language”, Twentieth Century Music, 11: 7-36.
  • Pietz, William (1987). “The Phonograph in Africa”, Derek Attridge, Geoff Bennington, and Robert Young (eds.), Post-structuralism and the Question of History, 263-85. Cambridge University Press.
  • Porter, James (1974). "Documentary Recordings in Ethnomusicology: Theoretical and Methodological Problems", Association for Recorded Sound Collections—Journal, 6 (2): 3-16.
  • Reinhard, Kurt (1962). “The Berlin Phonogramm-Archiv”, The Folklore and Folk Music Archivist, 5 (2): 1-4.
  • Sanjek, Roger (1993). "Anthropology's Hidden Colonialism: Assistants and their Ethnographers", Anthropology Today, 9 (2): 13-18.
  • Seth, Suman (2009). “Putting Knowledge in its Place: Science, Colonialism, and the Postcolonial”, Postcolonial Studies, 12 (4): 373-388.
  • Shaw, Wendy MK. (2003). Possessors and Possessed: Museums, Archaeology, and the Visualization of History in the Late Ottoman Empire. Univ of California Press.
  • Spiller, Henry (1996). “Continuity in Sundanese Dance Drumming: Clues from the 1893 Chicago Exposition.” The World of Music, 38 (2): 23-40.
  • Stoler, Ann Laura (2002). Carnal Knowledge and Imperial Power. Race and the Intimate in Colonial Rule. Berkeley: University of California Press.
  • Türkyılmaz, Yektan (2019). “Sounds of Empire - Music Recording in the Late Ottoman World”, Forum Transregionale Studien, https://on.soundcloud.com/wP1oF.
  • Yates, Michael (1982). “Percy Grainger and the Impact of the Phonograph”, Folk Music Journal, 4 (3): 265-275.
  • Yavuz, Elif Damla, Nihan Tahtaişleyen, Erdener Önder (2020). Fonograf Alanda: Erken Dönem Karşılaştırmalı Müzikoloji Çalışmaları ve Türkiye. İstanbul: Berceste.
  • Yavuz, Elif Damla (2020). “Felix von Luschan ve 1902 Zincirli Kayıtları”, Elif Damla Yavuz, Nihan Tahtaişleyen, Erdener Önder (eds.), Fonograf Alanda: Erken Dönem Karşılaştırmalı Müzikoloji Çalışmaları ve Türkiye, 81-98. Istanbul: Berceste.
  • Yıldız, Burcu (2022). “Sounds of a Lost Past: Early 78rpm records of Armenians in USA”, Liz Mellish, Nick Green and Belma Oğul (eds.), Music and Dance in Southeastern Europe: Place, Space and Resistance, 59-67. ICTM Study Group on Music and Dance in Southeastern Europe.
  • Ziegler, Susanne (2000a). “The Berlin Phonogram Archives and its role in promoting traditional music in Europe”, Tiltai, 3: 31-36.
  • Ziegler, Susanne (2000b). “Das Walzenprojekt zur Rettung der größten Sammlung alter Klangdokumente von traditioneller Musik aus aller Welt: Walzen und Schellackplatten des Berliner Phonogramm-Archivs”, Simon, Artur (ed.), Das Berliner Phonogramm-Archiv 1900-2000: Sammlungen der traditioneller Musik der Welt, 189-202. Berlin: Verlag für Wissenschaft und Bildung.
  • Ziegler, Susanne (2006). Die Wachszylinder des Berliner Phonogramm-Archivs. Berlin: Ethnologisches Museum, Staatliche Museen zu Berlin.
  • Ziegler, Susanne (2009). “Felix von Luschan als Walzensammler und Förderer des Berliner Phonogramm-Archivs”, Peter Ruggendorfer and Hubert D. Szemethy (eds.), Felix von Luschan (1854–1924): Leben und Wirken eines Universalgelehrten, 113-140. Vienna: Böhlau.

‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire

Yıl 2024, Cilt: 2 Sayı: 1, 1 - 21, 30.04.2024

Nazan Maksudyan

Öz

The history of early sound recording technologies in the Ottoman Empire has been studied mainly from the perspectives of music production, comparative musicology, and ethnomusicology. In fact, while hundreds of commercial and musical cylinders were being produced in Istanbul, Beirut, and elsewhere, European anthropologists, ethnologists, linguists, orientalists, etc. were traveling throughout the Balkans, Anatolia, and the Caucasus collecting audio data for scientific purposes. In order to contribute to the Ottoman history of science and technology from the perspectives of sound studies and auditory history, I focus on the first field recordings in the Ottoman Empire, namely during Paul Kretschmer's (1866-1956) study trip to Lesbos in 1901 and Felix von Luschan's (1854-1924) research in Zincirli (Sendschirli, Aintab) in 1902. Thus, this paper aims to fill a research gap within Ottoman Studies with regard to non-musical recordings and the impact of sound reproduction technologies on the history of the (colonial) sciences, especially anthropology, ethnology and linguistics.

Anahtar Kelimeler

phonograph sound recording technologies field research sound studies auditory history

Destekleyen Kurum

UK Research and Innovation (UKRI) (EP/X032833/1)

Proje Numarası

EP/X032833/1

Teşekkür

This research is undertaken as part of the ERC project (overwritten UKRI), "OTTOMAN AURALITIES and the Eastern Mediterranean: Sound, Media and Power, 1789-1922" (PI Dr. Peter McMurray), a cooperation of the University of Cambridge and Centre Marc Bloch.

Kaynakça

  • Abbani, Diana (2018). “Beirut’s Musical Scene: A Narrative of Modernization and Identity Struggles under the French Mandate”, E. Boyar and K. Fleet (eds.), Middle Eastern and North African Societies in the Interwar Period, 54-77. Brill.
  • Abbani, Diana (2022). "Chants enregistrés traversant les frontières: circulation, croisement et imaginaires au Levant durant les années 1920-1940", Malice, 14.
  • Abraham, Otto and Erich M. Honbostel, v. 1904. “Phonographierte türkische melodien”, Zeitschrift für Ethnologie, 36 (2): 203-221.
  • Adorno, Theodore (1934). "Die Form der Schallplatte," 23: Eine Wiener Musikschrift 17-19 (December 15), pp. 35-39. [signed “Hektor Rottweiler”].
  • Azoulay, Léon (1901). "Le Musée phonographiquc de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'Anthropologie de Paris 2.1: 327-330.
  • Azoulay, Léon (1902). "Liste des phonogrammes composant le Musée phonographique de la Société d'Anthropologie." Bulletins et Mémoires de la Société d'anthropologie de Paris, 3 (1): 652-666.
  • Benjamin, Walter (1969). “The Work of Art in the Age of Mechanical Reproduction” [translated by Harry Zohn, from the 1935 essay], Hannah Arendt (ed.), Illuminations, New York: Schocken Books.
  • Busse Berger, Anna Maria (2020). The Search for Medieval Music in African and Germany, 1891-1961: Scholars, Singers, Missionaries. University of Chicago.
  • Cairns, Elliott S. (2020). The Berliner Phonogramm-Archiv and the Emergence of Comparative Musicology. PhD Dissertation, Columbia University.
  • Clayton, Martin (1996). “Ethnographic Wax Cylinders at the British Library National Sound Archive: A Brief History and Description of the Collection”, British Journal of Ethnomusicology, 5: 67-92.
  • Cobanoglu, Dominik (2021). “Paul Kretschmer, der Historiker der griechischen Sprache – eine biographische Annäherung”, MA-Thesis, University of Vienna.
  • Das, Santanu (2011). “The Singing Subaltern”, Parallax, 17 (3): 4-18.
  • Edison, Thomas A. (1878). “The Phonograph and Its Future,” The North American Review, 126/262: 527–536.
  • El Shakry, Omnia (2007). The Great Social Laboratory: Subjects of Knowledge in Colonial and Postcolonial Egypt. Stanford University Press.
  • Feaster, Patrick (2001). “The Origins of Ethnographic Sound Recording, 1878-1892”, ReSOUND, 20 (1-2): 1-8.
  • Evans, Andrew D. (2010). Anthropology at War. World War I and Science of Race in Germany. Chicago: University of Chicago.
  • Fewkes, J. Walter (1890). "On the Use of the Phonograph in the Study of the Languages of American Indians", Science, 378: 267-269.
  • Frangos, Steve (1995). "The Last Cafe-Aman Performer", The Journal of Modern Hellenism, 12-13: 239-256.
  • Fuhrmann, Malte (2012). “Deutschlands Abenteuer im Orient. Eine Geschichte semi-kolonialer Verstrickungen.” Türkisch-Deutsche Beziehungen: Perspektivenaus Vergangenheit und Gegenwart. Berlin: KlausSchwarz, 10-33.
  • Graf, Walter (1962). “The Phonogrammarchiv der Österreichischen Akademie der Wissenschaften in Vienna”, The Folklore and Folk Music Archivist, 4(4): 1-4.
  • Graf, Walter (1964). “Aus der Geschichte des Phonogrammarchivs der Österreichischen Akademie der Wissenschaften”, Bulletin phonographique, 6: 9–39.
  • Goh, Annie (2017). “Sounding Situated Knowledges: Echo in Archaeoacoustics”, Parallax, 23(3): 283–304.
  • Koch, Lars-Christian, Albrecht Wiedmann, and Susanne Ziegler (2004). “The Berlin Phonogramm-Archiv: A Treasury of Sound Recordings”, Acoustical Science and Technology, 25(4): 227-231.
  • Kretschmer, Paul (1902). “Vorläufiger Bericht über eine linguistische Studienreise nach der Insel Lesbos”, Anzeiger der kaiserlichen Akademie der Wissenschaften in Wien. Philosophisch-Historische Klasse, 5: 71–85.
  • Kretschmer, Paul (1902). “Reisebericht des Herrn Professors Dr. Paul Kretschmer in Wien über eine linguistische Studienreise nach der Insel Lesbos”, Anzeiger der Kaiserlichen Akademie der Wissenschaften. Philosophisch-Historische Classe XXXIX, No I - XXVII (1902): 18–31.
  • Kretschmer, Paul (1905). Der heutige lesbische Dialekt verglichen mit den übrigen nordgriechischen Mundarten. Wien.
  • Lange, Britta (2013). Die Wiener Forschungen an Kriegsgefangenen, 1915-1918: Anthropologische und ethnographische Verfahren im Lager. Wien.
  • Lange, Britta (2019). Gefangene Stimmen. Tonaufnahmen von Kriegsgefangenen aus dem Lautarchiv 1915 – 1918. Berlin: Kadmos.
  • Lechleitner, Gerda (ed.) (1999). “Series 1: The First Expeditions 1901 to Croatia, Brazil, and the Isle of Lesbos”. OEAW PHA CD 7 Österreichischen Akademie der Wissenschaften.
  • Lechleitner, Gerda (2005). “‘Capturing’ Sound: The Phonograph in (Early) Folk Music Research”, Traditiones, 34 (1): 101-110.
  • Loeffler, James (2020). "The 'Lust Machine': Recording and Selling the Jewish Nation in the Late Russian Empire", Polin Studies in Polish Jewry, 32 (1): 257-277.
  • Löhr, Isabella (2013). "Lives Beyond Borders, or How to Trace Global Biographies, 1880–1950", Comparativ, 23 (6): 7-21.
  • Luschan, Felix v. (1902). “Über einige Ergebnisse der fünften Expedition nach Sendschirli”, Zeitschrift für Ethnologie, 34: 379–80.
  • Luschan, Felix v. (1904a). “Anleitung für ethnographische Beobachtungen und Sammlungen in Afrika und Ozeanien”, Zeitschrift für Ethnologie, 36: 1-128.
  • Luschan, Felix v. (1904b). “Einige türkische Volkslieder aus Nordsyrien und die Bedeutung phonographischer Aufnahmen für Völkerkunde”, Zeitschrift für Ethnologie, 36 (2): 177-202.
  • Luschan, Felix v., B. Ankermann, Königliche Museen zu Berlin (1914). Anleitung zum ethnologischen Beobachten und Sammeln. Berlin: Verlag von Georg Reimer.
  • Maksudyan, Nazan (2024). “Erna Eckstein-Schlossmann’s Exile Years in Turkey, 1935–1950: A Biographical and Gendered Approach to Migration History”, Women's History Review, 33 (2): 223-243.
  • Morat, Daniel (2019). “The Sound of a New Era: On the Transformation of Auditory and Urban Experience in the Long Fin de Siècle, 1880–1930”, International Journal for History, Culture and Modernity, 7: 591-609.
  • Nikolaros, Stratos (2022). “Paul Kretschmers Expedition 1901 nach Lesbos und das dortige Netzwerk der Lehrenden am Beispiel des Gymnasiallehrers Michail Κ. Stefanidis”, Neograeca Bohemica, 22 (1): [9]-48.
  • Olley, Jacob (2024). “Reorienting the History of Ethnomusicology: Global Networks, Institutions and Scientific Knowledge, 1850–1950”, paper to be presented, Royal Musical Association (London, 11-13 September 2024).
  • Ünlü, Cemal (2000). 1900’den 2000’e 100 Yıllık Ses Kayıt Tarihimizde Müzikle Yolculuk: En Seçkin Eserler Yorumcular ve Bestelerle Türk Musikisi. İstanbul: Ekinciler Holding.
  • Pasler, Jann (2014). “Sonic Anthropology in 1900: The Challenge of Transcribing Non-Western Music and Language”, Twentieth Century Music, 11: 7-36.
  • Pietz, William (1987). “The Phonograph in Africa”, Derek Attridge, Geoff Bennington, and Robert Young (eds.), Post-structuralism and the Question of History, 263-85. Cambridge University Press.
  • Porter, James (1974). "Documentary Recordings in Ethnomusicology: Theoretical and Methodological Problems", Association for Recorded Sound Collections—Journal, 6 (2): 3-16.
  • Reinhard, Kurt (1962). “The Berlin Phonogramm-Archiv”, The Folklore and Folk Music Archivist, 5 (2): 1-4.
  • Sanjek, Roger (1993). "Anthropology's Hidden Colonialism: Assistants and their Ethnographers", Anthropology Today, 9 (2): 13-18.
  • Seth, Suman (2009). “Putting Knowledge in its Place: Science, Colonialism, and the Postcolonial”, Postcolonial Studies, 12 (4): 373-388.
  • Shaw, Wendy MK. (2003). Possessors and Possessed: Museums, Archaeology, and the Visualization of History in the Late Ottoman Empire. Univ of California Press.
  • Spiller, Henry (1996). “Continuity in Sundanese Dance Drumming: Clues from the 1893 Chicago Exposition.” The World of Music, 38 (2): 23-40.
  • Stoler, Ann Laura (2002). Carnal Knowledge and Imperial Power. Race and the Intimate in Colonial Rule. Berkeley: University of California Press.
  • Türkyılmaz, Yektan (2019). “Sounds of Empire - Music Recording in the Late Ottoman World”, Forum Transregionale Studien, https://on.soundcloud.com/wP1oF.
  • Yates, Michael (1982). “Percy Grainger and the Impact of the Phonograph”, Folk Music Journal, 4 (3): 265-275.
  • Yavuz, Elif Damla, Nihan Tahtaişleyen, Erdener Önder (2020). Fonograf Alanda: Erken Dönem Karşılaştırmalı Müzikoloji Çalışmaları ve Türkiye. İstanbul: Berceste.
  • Yavuz, Elif Damla (2020). “Felix von Luschan ve 1902 Zincirli Kayıtları”, Elif Damla Yavuz, Nihan Tahtaişleyen, Erdener Önder (eds.), Fonograf Alanda: Erken Dönem Karşılaştırmalı Müzikoloji Çalışmaları ve Türkiye, 81-98. Istanbul: Berceste.
  • Yıldız, Burcu (2022). “Sounds of a Lost Past: Early 78rpm records of Armenians in USA”, Liz Mellish, Nick Green and Belma Oğul (eds.), Music and Dance in Southeastern Europe: Place, Space and Resistance, 59-67. ICTM Study Group on Music and Dance in Southeastern Europe.
  • Ziegler, Susanne (2000a). “The Berlin Phonogram Archives and its role in promoting traditional music in Europe”, Tiltai, 3: 31-36.
  • Ziegler, Susanne (2000b). “Das Walzenprojekt zur Rettung der größten Sammlung alter Klangdokumente von traditioneller Musik aus aller Welt: Walzen und Schellackplatten des Berliner Phonogramm-Archivs”, Simon, Artur (ed.), Das Berliner Phonogramm-Archiv 1900-2000: Sammlungen der traditioneller Musik der Welt, 189-202. Berlin: Verlag für Wissenschaft und Bildung.
  • Ziegler, Susanne (2006). Die Wachszylinder des Berliner Phonogramm-Archivs. Berlin: Ethnologisches Museum, Staatliche Museen zu Berlin.
  • Ziegler, Susanne (2009). “Felix von Luschan als Walzensammler und Förderer des Berliner Phonogramm-Archivs”, Peter Ruggendorfer and Hubert D. Szemethy (eds.), Felix von Luschan (1854–1924): Leben und Wirken eines Universalgelehrten, 113-140. Vienna: Böhlau.
Toplam 59 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İletişim ve Medya Çalışmaları (Diğer), Kadın Araştırmaları, Sosyoloji (Diğer)
Bölüm Makaleler/Articles
Yazarlar

Nazan Maksudyan 0000-0002-0918-7807

Proje Numarası EP/X032833/1
Yayımlanma Tarihi 30 Nisan 2024
Gönderilme Tarihi 8 Mart 2024
Kabul Tarihi 4 Nisan 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 2 Sayı: 1

Kaynak Göster

APA Maksudyan, N. (2024). ‘Sound-Writing’ Technologies and Early Field Recordings in the Ottoman Empire. Social Review of Technology and Change, 2(1), 1-21.
 Kapak Resmi İndir