Abstract
ENGLAND, iki sanatçı Tim Crouch ve Hannah Ringham tarafından bir sanat galerisinde sergilene bir oyundur. Çağdaş sanatın sosyal konumunu tartışan oyun, yalnızca Crouch ve Ringham'ın yoğun bir monolog anlatımında dönüşümlü olarak yer aldığı beyaz duvarlı bir sanat galerisinde oynanabilecek bir tasarıma sahiptir. İlk perdede erkek arkadaşı zengin bir sanat tüccarı olan ve işinden dolayı sanat müzayedelerine katkıda bulunan kahraman, çok ciddi bir kalp hastası olarak tasvir edilir ve umutsuzca organ naklini beklemektedir. İkinci perdede İngiliz olarak adlandırılan kahraman, Batılı kadının hayatı yüzünden kocasının öldürüldüğüne ve kalbinin çalındığına inanan dul Müslüman kadına (bağışçının karısı / Hassam) teşekkür etmek için Ortadoğu'da bilinmeyen bir şehre gider. Oyun, göç ve nakil bağlamında farklı bir sömürü türünü bağlamsallaştırır. Oyun, zengin Batılı beden için bir kalbin ve başka bir ülkenin kültürünün istilasını temsil eder. Tim Crouch'un eserlerine genel bir bakış sağlayan bu çalışma, metni analiz etmenin yanı sıra, ENGLAND oyunundaki dönüşümü ve sömürüyü göstermeyi amaçlar.
Keywords
References
- Bottoms, Stephen (2009). Authorizing the Audience: The Conceptual Drama of Tim Crouch. Performance Research. 14(1): 65–76. https://doi.org/10.1080/13528160903113213.
- Bottoms, Stephen (2011). “Introduction”. Tim Crouch Plays One. London, UK: Oberon Books. 9-15.
- Crouch, Tim (2011). Tim Crouch Plays One. London, UK: Oberon Books.
- García, Cristina Delgado (2015). Rethinking Character in Contemporary British Theatre: Aesthetics, Politics, Subjectivity. Berlin, Germany: De Gruyter. İlter, Seda (2011). “A Process of Transformation: Tim Crouch on My Arm”. Contemporary Theatre Review. 21(4): 394–404. https://doi.org/10.1080/10486801.2011.610792.
- Lepage, Louis-Rebellato, Dan (2012). Tim Crouch and Dan Rebellato in Conversation. Platform. 6(2): 13–27.
- Morin, Eric (2011). “Look Again’: Indeterminacy and Contemporary British Drama”. New Theatre Quarterly, 27(1): 71–85.
- Pilny, Ondrej (2016). The Grotesque in Contemporary Anglophone Drama. London, UK: Palgrave Macmillan.
- Radosavljevic, Dusca (2013). Theatre-Making: Interplay Between Text and Performance in the 21st Century. London, UK: Palgrave Macmillan.
- Rebellato, Dan (2013). Modern British Playwriting: 2000-2009: Voices, Documents, New Interpretations. London, UK: Bloomsbury Methuen Drama.
- Rebellato, Dan (2014). “Two: Duologues and the Differend”. Ethical Speculations Contemporary British Theatre. Ed. Michael Aragay-Eric Monforte London, UK: Palgrave Macmillan. 79-95.
- Electronic Sources Crouch, Tim “England by Crouch”. http://www.timcrouchtheatre.co.uk/shows/england.
- Gardner, Lyn (2009). “ENGLAND”. The Guardian. http://www.theguardian.com/stage/2009/may/13/review-england-whitechapel-gallery. [13.05.2009].
- McMillan, Joyce (2007). “Damascus, England, Walworth Farce”. https://joycemcmillan.wordpress.com/2007/08/07/damascus-england-walworth-farce. [07.07.2007].
Abstract
ENGLAND is a play performed in an art gallery by two performers, Tim Crouch and Hannah Ringham. The play, which discusses the social position of contemporary art, has a design that can only be performed in a white walled art gallery where Crouch and Ringham alternate in the narration of an intense monologue. In the first act, the protagonist, whose boyfriend is a wealthy art dealer and participates in art auctions as part of his work, is portrayed as a very serious heart patient who despairingly awaits for an organ transplantation. In the second act, the protagonist, now named as English, goes to an unknown city in the Middle East to thank a Muslim widow (the wife of the donor, Hassam) who believes that her husband was killed and his heart was stolen to save a Western person’s life. The play contextualizes a different kind of exploitation within the context of transmigration and transplantation. It represents the invasion of a heart for a wealthy Westerner’s body and another country’s culture. In addition to analysing the text, this study aims to provide an overview of Tim Crouch's work and to show the themes of transformation and exploitation in ENGLAND.
References
- Bottoms, Stephen (2009). Authorizing the Audience: The Conceptual Drama of Tim Crouch. Performance Research. 14(1): 65–76. https://doi.org/10.1080/13528160903113213.
- Bottoms, Stephen (2011). “Introduction”. Tim Crouch Plays One. London, UK: Oberon Books. 9-15.
- Crouch, Tim (2011). Tim Crouch Plays One. London, UK: Oberon Books.
- García, Cristina Delgado (2015). Rethinking Character in Contemporary British Theatre: Aesthetics, Politics, Subjectivity. Berlin, Germany: De Gruyter. İlter, Seda (2011). “A Process of Transformation: Tim Crouch on My Arm”. Contemporary Theatre Review. 21(4): 394–404. https://doi.org/10.1080/10486801.2011.610792.
- Lepage, Louis-Rebellato, Dan (2012). Tim Crouch and Dan Rebellato in Conversation. Platform. 6(2): 13–27.
- Morin, Eric (2011). “Look Again’: Indeterminacy and Contemporary British Drama”. New Theatre Quarterly, 27(1): 71–85.
- Pilny, Ondrej (2016). The Grotesque in Contemporary Anglophone Drama. London, UK: Palgrave Macmillan.
- Radosavljevic, Dusca (2013). Theatre-Making: Interplay Between Text and Performance in the 21st Century. London, UK: Palgrave Macmillan.
- Rebellato, Dan (2013). Modern British Playwriting: 2000-2009: Voices, Documents, New Interpretations. London, UK: Bloomsbury Methuen Drama.
- Rebellato, Dan (2014). “Two: Duologues and the Differend”. Ethical Speculations Contemporary British Theatre. Ed. Michael Aragay-Eric Monforte London, UK: Palgrave Macmillan. 79-95.
- Electronic Sources Crouch, Tim “England by Crouch”. http://www.timcrouchtheatre.co.uk/shows/england.
- Gardner, Lyn (2009). “ENGLAND”. The Guardian. http://www.theguardian.com/stage/2009/may/13/review-england-whitechapel-gallery. [13.05.2009].
- McMillan, Joyce (2007). “Damascus, England, Walworth Farce”. https://joycemcmillan.wordpress.com/2007/08/07/damascus-england-walworth-farce. [07.07.2007].
Details
| Primary Language | English |
|---|---|
| Subjects | Cultural Studies, Creative Arts and Writing |
| Journal Section | Review Articles |
| Authors | |
| Publication Date | December 31, 2020 |
| Submission Date | October 15, 2020 |
| Acceptance Date | December 28, 2020 |
| Published in Issue | Year 2020 Volume: 3 Issue: 2 |
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