Convergence of Literature and History: 'The Bridge on the Drina' in the Context of Historiographic Metafiction
Öz
While the boundary between the disciplines of literature and history has come into question due to the problematization of their ontological natures, their textuality and similar narrative technics stand out as two main elements among the other intersections. As the criticisms of objectivity directed at history have echoed in literary studies, literary works where historical facts and fiction cluster have taken it one step further and rendered it possible to discuss the matter more broadly with cultural aspects. In The Bridge on the Drina, it is seen that the main arch of the narration proceeds along the historical realities, and yet Ivo Andrić’s sole aim is not to put forward a classic historical novel. In fact, rather than foregrounding the realities in question and erasing the fictive elements, he presents a kind of alternative history by palpably bringing together the historical and the fictional. Hence, the aim of this study is to argue that in The Bridge on the Drina, the boundary between history and literature gets blurred and their conventional characteristics get problematised. Presenting views from both historical and literary studies, the primary theoretical frame will be based on the notion of historiographic metafiction.
Anahtar Kelimeler
New historical novel new historicism modernism postmodernism historiographic metafiction Ivo Andrić
Kaynakça
- Andrić, I. (1990). The development of spiritual life in Bosnia under the influence of Turkish rule. Juricic, Z. B. & Loud, J. F. (Eds.). Duke University Press.
- Andrić, I. (2011). The Bridge on the Drina. Dereta.
- Berthoff, W. (1970). Fiction, history, myth: Notes toward the discrimination of narrative forms. The Interpretation of Narrative: Theory and Practice, 263-287.
- Carr, E. H. (2018). What is history? Penguin UK.
- Danto, A. C. (1965). Analytical philosophy of history. The University Press.
- Foley, B. (1986). Telling the truth: The theory and practice of documentary fiction. Cornell University Press.
- Frye, N. (2000). Anatomy of criticism. Princeton University Press.
- Gossman, L. (1990). Between history and literature. Harvard University Press.
- Gottschalk, L. (1969). Understanding history: A primer of historical method (2nd Ed.). New Knopf.
- Goy, E. D. (1963). The work of Ivo Andrić. The Slavonic and East European Review, 41(97), 301–326. http://www.jstor.org/stable/4205464
- Green, K. and LeBihan, J. (2001). Critical theory & practice: A coursebook. Routledge.
- Hawkesworth, Celia. (1984). Ivo Andric: Bridge between East and West. The Athlone Press.
- Hutcheon, L. (2004). A poetics of postmodernism: History, theory, fiction. Routledge.
- Kermode, F. (1968). Novel, history and type. NOVEL: A Forum on Fiction, 1(3), 231–238. https://doi.org/10.2307/1345163
- Krieger, M. (1974). Fiction, history, and empirical reality. Critical Inquiry, 1(2), 335–360. http://www.jstor.org/stable/1342788
- McHale, B. (2004). Postmodernist fiction. Routledge.
- Megill, A. (1998). Introduction. In Ewa Domanska (Ed.), Encounters: Philosophy of history after postmodernism (pp. 1-12). University Press of Virginia.
- Montrose, L. A. (1989). Professing the Renaissance: The poetics and politics of culture. In H. Aram Veeser (Ed.), The New Historicism (pp. 15-36). Routledge.
- Selden, R., Widdowson, P. and Brooker, P. (2005). A reader’s guide to contemporary literary theory. Pearson.
- Wachtel, A. (1995). Imagining Yugoslavia: The historical archeology of Ivo Andrić. In Wayne S. Vucinich (Ed.), Ivo Andrić Revisited: The Bridge Still Stands (pp. 82-102). Retrieved from https://escholarship.org/uc/item/8c21m142
- White, H. (1978). Tropics of discourse: Essays in cultural criticism. The John Hopkins University Press.
- White, H. (1998). Interviews. In Ewa Domanska (Ed.), Encounters: Philosophy of History after Postmodernism (pp. 13-38). University Press of Virginia.
Öz
Edebiyat ve tarih disiplinleri arasındaki sınır ontolojik yapılarının sorunsallaşmasıyla tartışmaya açılmış, bu disiplinlerin metinsellikleri ve benzer anlatı teknikleri ise kesişim noktasını oluşturan iki temel unsur olarak ön plana çıkmıştır. Genel olarak tarih disiplinine getirilen nesnellik eleştirilerinin edebiyat çalışmalarında da yankı bulmasıyla birlikte, tarihsel gerçekliklerin kurguyla bir araya geldiği edebiyat eserleri söz konusu tartışmayı derinleştirerek değerlendirmelerin çok daha kapsamlı bir şekilde kültürel boyutlarıyla incelenmesini sağlamıştır. Drina Köprüsü’nde anlatının ana ekseni tarihsel gerçeklikler çizgisinde ilerken, Ivo Andrić’in amacının klasik anlamda tarihsel bir roman ortaya koymak olmadığı görülmektidir. Öyle ki, yazar söz konusu gerçeklikleri ön plana çıkarıp anlatının kurgusal izlerini saklamaya çalışmamış, aksine bu gerçekliklerle kurgusal olanı açıkça bir araya getirerek adeta alternatif bir tarih ortaya koymuştur. Bu anlamda, çalışmanın amacı Drina Köprüsü romanında tarih ve edebiyat arasındaki ayrımın netliğini yitirerek alışılagelmiş özelliklerinin sorunsallaşmasını tartışmaktır. Çalışma tarih ve edebiyat eleştirisi parallelliğinde ilerleyecek olup teorik çerçeveyi tarihsel üstkurmaca kavramı şekillendirecektir.
Anahtar Kelimeler
Yeni tarihsel roman yeni tarihselcilik modernizm postmodernizm tarihsel üstkurmaca Ivo Andrić
Kaynakça
- Andrić, I. (1990). The development of spiritual life in Bosnia under the influence of Turkish rule. Juricic, Z. B. & Loud, J. F. (Eds.). Duke University Press.
- Andrić, I. (2011). The Bridge on the Drina. Dereta.
- Berthoff, W. (1970). Fiction, history, myth: Notes toward the discrimination of narrative forms. The Interpretation of Narrative: Theory and Practice, 263-287.
- Carr, E. H. (2018). What is history? Penguin UK.
- Danto, A. C. (1965). Analytical philosophy of history. The University Press.
- Foley, B. (1986). Telling the truth: The theory and practice of documentary fiction. Cornell University Press.
- Frye, N. (2000). Anatomy of criticism. Princeton University Press.
- Gossman, L. (1990). Between history and literature. Harvard University Press.
- Gottschalk, L. (1969). Understanding history: A primer of historical method (2nd Ed.). New Knopf.
- Goy, E. D. (1963). The work of Ivo Andrić. The Slavonic and East European Review, 41(97), 301–326. http://www.jstor.org/stable/4205464
- Green, K. and LeBihan, J. (2001). Critical theory & practice: A coursebook. Routledge.
- Hawkesworth, Celia. (1984). Ivo Andric: Bridge between East and West. The Athlone Press.
- Hutcheon, L. (2004). A poetics of postmodernism: History, theory, fiction. Routledge.
- Kermode, F. (1968). Novel, history and type. NOVEL: A Forum on Fiction, 1(3), 231–238. https://doi.org/10.2307/1345163
- Krieger, M. (1974). Fiction, history, and empirical reality. Critical Inquiry, 1(2), 335–360. http://www.jstor.org/stable/1342788
- McHale, B. (2004). Postmodernist fiction. Routledge.
- Megill, A. (1998). Introduction. In Ewa Domanska (Ed.), Encounters: Philosophy of history after postmodernism (pp. 1-12). University Press of Virginia.
- Montrose, L. A. (1989). Professing the Renaissance: The poetics and politics of culture. In H. Aram Veeser (Ed.), The New Historicism (pp. 15-36). Routledge.
- Selden, R., Widdowson, P. and Brooker, P. (2005). A reader’s guide to contemporary literary theory. Pearson.
- Wachtel, A. (1995). Imagining Yugoslavia: The historical archeology of Ivo Andrić. In Wayne S. Vucinich (Ed.), Ivo Andrić Revisited: The Bridge Still Stands (pp. 82-102). Retrieved from https://escholarship.org/uc/item/8c21m142
- White, H. (1978). Tropics of discourse: Essays in cultural criticism. The John Hopkins University Press.
- White, H. (1998). Interviews. In Ewa Domanska (Ed.), Encounters: Philosophy of History after Postmodernism (pp. 13-38). University Press of Virginia.
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Konular | Sanat ve Edebiyat |
| Bölüm | Makaleler |
| Yazarlar | |
| Erken Görünüm Tarihi | 10 Mayıs 2024 |
| Yayımlanma Tarihi | |
| Gönderilme Tarihi | 24 Şubat 2023 |
| Kabul Tarihi | 20 Ekim 2023 |
| Yayımlandığı Sayı | Yıl 2024 Cilt: 41 Sayı: 1 |
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